Introduction to the Study of Indian Music An Attempt to Reconcile Modern Hindu
Introduction to the Study of Indian Music An Attempt to Reconcile Modern Hindu
E Ernest Clements
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Verse 26. — Sa is of 4 srutis, ri of 3, ga of 2, ma of 4. Verse 27. — Pa of 4, dha of 3, ni of 2. This is the Shadj Grama. Verse 28. — In the Madhyam Grama, ma is of 4, pa of 3, dha of 4. Verse 29. — Ni of 2, sa of 4, ri of 3, ga of 2. MURCHHANAS. There are 14 Murchhanas in the two Gramas. Verse 30. — The first is Uttarmandra, and starts from sa ; the second, Rajani from ni ; the third, Uttarayata from dha ; the fourth, Shuddhshadja from pa ; the fifth Matsarikriti from ma. Verse 31. — The sixt...h is Asvakranta from ga ; the seventh Abhirudgata from ri. Such are the Murchhanas of the Shadj Grama. Verse 32. — In the Madhyam Grama the Murchhanas are : Sauviri, Harinasva, Kalopanata, Shuddhmadhya, Margi, Pauravi, Hrishyaka. Verse 33. — Such are the Murchhanas of the Madhyam Grama. The starting notes are ma, ga, ri, sa, ni, dha, pa. These Murchhanas are of four descriptions: (i) those which are Sampurna {i. E. Complete with seven notes) ; (2) (3) the Shadava and Odava {i. E.
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