Introductions Painters Sculptors And Graphic Artists

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The same \vas true of the studies for a large fresco entitled :< The Harvest. " This composition enabled Sterne to impose upon himself a great task and the solution of many fascinating artistic problems, -- the hu- man figure at all ages and in all its natural poses typifying abstract ideas of maternity, youthful energy, relaxation, patience, the weight of bodies, masculine strength, and so on. We can hardly hope that Sterne will ever complete this colos- sal work which served him then as a motive for research. His first effort in sculpture, the "Pasquale, " was also extremely fine, a little masterpiece in its way. It had more naivete than the work of Maillol, if not his perfect science, and the criti- cism that the treatment of the hair was a trifle archaic was answered on seeing the model. His paintings and later drawings were far more per- plexing and were condemned by a hasty public as deliberate attempts on the artist's part to destroy his good reputation. They were, however, really the logical successors of the earlier works.

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