Italy And the Rise of a New School of Criticism in the 18th Century With Specia
Italy And the Rise of a New School of Criticism in the 18th Century With Specia
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Does esthetic even 14 I he Rise of a \cic Schoul of Criticism.
now Ht in \\ith the true function of criticism? When one considers those questions it becomes evidenit at once inat lilerarv criticism in the i8th century, while it strove to bring" the work of art into direct contact with the mind or spirit and tiirough the spirit with life, did not establish any life doctrine which would render life values comsoniant with spiritual and again with art itself. What it effected however was a clearing..." away of old prejudices, old tradi- tions, extrinsic criteria, a levelling up of the art oi criticism into true criticism, a unification and intensification of ililerary theory as applied by the spirit to actual literary creation. Without this groundwork, the romantic and the modern criticism would have been largely in the air and not erected on solid foundations : the Renaissance criticism modified the Alexandrian, the Settecentescan modified the Renaissance ; the Romantic, the Settecentescan ; and now we strive to distil all four into a single indivisible, final philosophy of art.
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To quickly assess the difficulty of the text, read a short excerpt:
Does esthetic even 14 I he Rise of a \cic Schoul of Criticism.
now Ht in \\ith the true function of criticism? When one considers those questions it becomes evidenit at once inat lilerarv criticism in the i8th century, while it strove to bring" the work of art into direct contact with the mind or spirit and tiirough the spirit with life, did not establish any life doctrine which would render life values comsoniant with spiritual and again with art itself. What it effected however was a clearing..." away of old prejudices, old tradi- tions, extrinsic criteria, a levelling up of the art oi criticism into true criticism, a unification and intensification of ililerary theory as applied by the spirit to actual literary creation. Without this groundwork, the romantic and the modern criticism would have been largely in the air and not erected on solid foundations : the Renaissance criticism modified the Alexandrian, the Settecentescan modified the Renaissance ; the Romantic, the Settecentescan ; and now we strive to distil all four into a single indivisible, final philosophy of art.
What to read after Italy And the Rise of a New School of Criticism in the 18th Century With Specia?
You can find similar books in the "Read Also" column, or choose other free books by Quigley Hugh to read onlineMoreLess
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