Journal of Early Southern Decorative Arts [serial] 1, 1 (1975)
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In our eReader you can find the full English version of the book. Read Journal of Early Southern Decorative Arts [serial] 1, 1 (1975) Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Journal of Early Southern Decorative Arts [serial] 1, 1 (1975)
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To quickly assess the difficulty of the text, read a short excerpt:
Mordecai Booth" and a young man who was probably her son, "George Booth," present important new stylistic characteristics for further consideration of Dering's portrait formulas and paintings techniques (Figs. 1 and 2). The Booth portraits are attributed on the basis of stylistic comparison with the only known signed work by the artist, "Mrs. Drury Stith" (Fig. 3).' The portrait of "George Booth" is perhaps the more fascinating of the two. The boy is shown in a full length pose and holds a bow ...and arrow in his left hand. The little dog in the right foreground holds a bird, presumably killed by one of the subject's arrows, in his rather exaggerated teeth.
The most interesting aspect of the portrait, however, is the background. Immediately behind the subject and jflanking him are two architectural plinths supporting two nude female busts.
The arrangement, though in no way identical, is reminiscent of architectural settings seen in the portraits of the early Maryland artist, Justus Engelhardt Kuhn." As far as this writer has been able to discern, the busts are unique in this period of colonial southern painting.
What to read after Journal of Early Southern Decorative Arts [serial] 1, 1 (1975)?
You can find similar books in the "Read Also" column, or choose other free books by Museum of Early Southern Decorative Arts to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Mordecai Booth" and a young man who was probably her son, "George Booth," present important new stylistic characteristics for further consideration of Dering's portrait formulas and paintings techniques (Figs. 1 and 2). The Booth portraits are attributed on the basis of stylistic comparison with the only known signed work by the artist, "Mrs. Drury Stith" (Fig. 3).' The portrait of "George Booth" is perhaps the more fascinating of the two. The boy is shown in a full length pose and holds a bow ...and arrow in his left hand. The little dog in the right foreground holds a bird, presumably killed by one of the subject's arrows, in his rather exaggerated teeth.
The most interesting aspect of the portrait, however, is the background. Immediately behind the subject and jflanking him are two architectural plinths supporting two nude female busts.
The arrangement, though in no way identical, is reminiscent of architectural settings seen in the portraits of the early Maryland artist, Justus Engelhardt Kuhn." As far as this writer has been able to discern, the busts are unique in this period of colonial southern painting.
What to read after Journal of Early Southern Decorative Arts [serial] 1, 1 (1975)?
You can find similar books in the "Read Also" column, or choose other free books by Museum of Early Southern Decorative Arts to read onlineMoreLess
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