Journal of Early Southern Decorative Arts [serial] 10,2 (1984)
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In our eReader you can find the full English version of the book. Read Journal of Early Southern Decorative Arts [serial] 10,2 (1984) Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Journal of Early Southern Decorative Arts [serial] 10,2 (1984)
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34 MESDA Virginia Landscapes by William Roberts Barbara C. Batson Three prints of Virginia scenery, Natural Bridge, the Potomac River, and Harper's Ferry, as well as the preparatory watercolors for the last, all recently acquired by MESDA, offer a rare oppor- tunity to understand the process by which landscape prints were produced as well as to examine artistic selection of topographical views during the late eighteenth and early nineteenth centuries.
The artist, William Roberts, remains largel...y obscure; the years of his birth and death, his training, even his nationality — all are unknown or uncertain. Manuscript notes on two prints provide a tantalizing bit of information, however. View on the Potomac in the MESDA collection is inscribed "Mr. Burton / 91 Gloster Place / Por . . . . " A similar inscription is on the handcolored aquatint, Junction of the Potomac and Shenandoah Rivers, Virginia, owned by the New York Public Library: "Original picture in oils at 91 Gloucester Place. Painted by Mr.
What to read after Journal of Early Southern Decorative Arts [serial] 10,2 (1984)?
You can find similar books in the "Read Also" column, or choose other free books by Museum of Early Southern Decorative Arts to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
34 MESDA Virginia Landscapes by William Roberts Barbara C. Batson Three prints of Virginia scenery, Natural Bridge, the Potomac River, and Harper's Ferry, as well as the preparatory watercolors for the last, all recently acquired by MESDA, offer a rare oppor- tunity to understand the process by which landscape prints were produced as well as to examine artistic selection of topographical views during the late eighteenth and early nineteenth centuries.
The artist, William Roberts, remains largel...y obscure; the years of his birth and death, his training, even his nationality — all are unknown or uncertain. Manuscript notes on two prints provide a tantalizing bit of information, however. View on the Potomac in the MESDA collection is inscribed "Mr. Burton / 91 Gloster Place / Por . . . . " A similar inscription is on the handcolored aquatint, Junction of the Potomac and Shenandoah Rivers, Virginia, owned by the New York Public Library: "Original picture in oils at 91 Gloucester Place. Painted by Mr.
What to read after Journal of Early Southern Decorative Arts [serial] 10,2 (1984)?
You can find similar books in the "Read Also" column, or choose other free books by Museum of Early Southern Decorative Arts to read onlineMoreLess
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