Journal of Early Southern Decorative Arts [serial] 12, 2 (1986)
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In our eReader you can find the full English version of the book. Read Journal of Early Southern Decorative Arts [serial] 12, 2 (1986) Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Journal of Early Southern Decorative Arts [serial] 12, 2 (1986)
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Mantel tablet carving, Motte parlor. Courtesy of the St. Louis Art Museum.
November, 1986 117 reminiscent of some of the designs used by the Sommers carver for overmantel finials hke that in the Bocquet house, though it is assymetrical and set off by a U-shaped ribbon and a diminutive band of cabling. The side leaves are given even more detail than the Fullerton examples, especially in regard to the twisted ends, showing the strong development of personal style in the work of this artisan. The ...same is true of the mantel frieze carving Figure 55- The Robert Pnngle house, 10 Tradd Street, 111 ^, first floor south room chimneypiece. MRF S-13868.
118 MESDA (Figs. 52, 52b), which shares stylistic details with the work of the Sommers carver, but in this instance is far simpler in detail and shows a less sophisticated understanding of flow and spatial use.
The open nature of the tablet carving (Fig. 52b), in combination with the use of arched garlands of elongated husks, lends somewhat of an early Neoclassical air to the chimneypiece.
What to read after Journal of Early Southern Decorative Arts [serial] 12, 2 (1986)?
You can find similar books in the "Read Also" column, or choose other free books by Museum of Early Southern Decorative Arts to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Mantel tablet carving, Motte parlor. Courtesy of the St. Louis Art Museum.
November, 1986 117 reminiscent of some of the designs used by the Sommers carver for overmantel finials hke that in the Bocquet house, though it is assymetrical and set off by a U-shaped ribbon and a diminutive band of cabling. The side leaves are given even more detail than the Fullerton examples, especially in regard to the twisted ends, showing the strong development of personal style in the work of this artisan. The ...same is true of the mantel frieze carving Figure 55- The Robert Pnngle house, 10 Tradd Street, 111 ^, first floor south room chimneypiece. MRF S-13868.
118 MESDA (Figs. 52, 52b), which shares stylistic details with the work of the Sommers carver, but in this instance is far simpler in detail and shows a less sophisticated understanding of flow and spatial use.
The open nature of the tablet carving (Fig. 52b), in combination with the use of arched garlands of elongated husks, lends somewhat of an early Neoclassical air to the chimneypiece.
What to read after Journal of Early Southern Decorative Arts [serial] 12, 2 (1986)?
You can find similar books in the "Read Also" column, or choose other free books by Museum of Early Southern Decorative Arts to read onlineMoreLess
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