Journal of Early Southern Decorative Arts [serial] 13, 2 (1987)

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The obvious similarities have resulted in the often-published assumption that these clock cases must have been made in the same Baltimore cabinetmaking shop during 1795-1815.' A closer look, however, reveals such a large number of differences that the issue of a particular cabinet- maker becomes less important than the reasons for the extensive variety of this group and what they reveal about early nineteenth- century urban trade practices in America, and specifically Baltimore.
The visual char
...acteristics shared by these clock cases are typical of the general styles and Neoclassical decorative motifs inherited from British prototypes. In order to understand Baltimore's interpretation of the Neoclassical style it is necessary to perceive the rapid transition of a small colonial town into a booming port city during the decades following the Revolution. Shops were increasingly required to meet the needs of a growing middle class of merchants, shipbuilders, and other successful tradesmen demanding luxury items of local manufacture.

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