Key to the Questions And Exercises in Studies in Musical Graces

Cover Key to the Questions And Exercises in Studies in Musical Graces
Key to the Questions And Exercises in Studies in Musical Graces
Ernest Fowles
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par, 47. Vide Sec. II. • par. 39.
1 A faster trill is possible here and a turn may be introduced.
SECTION III.
g, pars. 41 & 48.
8E ' 'V'lSri^ ^^^ i h, par. 48.
■*"TT" ^ V jjHt ' ^ jjp j' j7;ii jj;^ i a i> q -J^^JJ^jT^^fjjgq-«r^J¥j J. 3^^^ iE ^^ • y f r y. pars. 32 & 47.
^ ^^2 , / I H^ J J J Ji^J 7j J J J J j =jJ^ ^ ^ tf f * Wl s The first trill does not continue until the time-position of the tied note ( par. 39) in order that the three trills of the passage may be of uniform length.
36 SECTIO
...N III.
i i ,i»i'i'it^ t .
^ S m^ — 1 ^ iM * d * d * sj d^ T I ^m^^ i ^s iz^ztttgw H-j-H i ^^^ S ' ^ ' 4 ¥^ L L r i m 1 ^^^ ^B ^ f T 37.
tf. par. 48.
*:?3t 3. pars. 32 & 37.
s rT f T^ IP 7 I rrrrr 4 4 i ia S=ffl iLJ__*_-lt =* 1^ ^. par. 52.
i ^ > * m -^ — « =»- SECTION III, 37 d, par. 47 m^mgf^^ ^ ^. par. 34.
^j^^T^^ B Mj^ ^^ ^ life I S^ tt # P- & y^ /, par. 37.
^ ^ ^ par. 41.
A. pars. 32 & 37.
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