Landmarks in Russian Literature

Cover Landmarks in Russian Literature
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This book, more than any other, reveals to us the methods and the art of Dostoievsky. This method and this art are not unlike those of Charlotte Bronte. The setting of the picture, the accessories, are fantastic, sometimes to the verge of impossibility, and this no more matters than the fantastic setting of Jane Eyre matters.
All we see and all we feel is the white flame of light that burns throughout the book. We no more care whether a man like General Epanchin could or could not have existed,
... or whether the 213 LANDMARKS IN RUSSIAN LITERATURE circumstances of his life are possible or impossible than we care whether the friends of Mr. Rochester are possible or impossible. Such things seem utterly trivial in this book, where at every moment we are allowed to look deep down into the very depths of human nature, to look as it were on the spirit of man and woman naked and unashamed.
For though the setting may be fantastic if not impossible, though we may never have seen such people in our lives, they are truer than life in a way: we seem to see right inside every one of these characters as though they had been stripped of everything which was false and artificial about them, as though they were left with nothing but their bared souls, as they will be at the Day of Judgment.


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