Lectures On Dramatic Art And Literature
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In our eReader you can find the full English version of the book. Read Lectures On Dramatic Art And Literature Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Lectures On Dramatic Art And Literature
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In those which possess a great number ofhomonymes, that is, words possessing the same, or nearly the same, sound, though quite different in their derivation and signification, it isalmost more difficult to avoid, than to fall on such a verbal play. Ithas, however, been feared, lest a door might be opened to puerilewitticism, if they were not rigorously proscribed. But I cannot, for mypart, find that Shakspeare had such an invincible and immoderate passionfor this verbal witticism. It is true, h...e sometimes makes a most lavishuse of this figure; at others, he has employed it very sparingly; and attimes (for example, in _Macbeth_), I do not believe a vestige of itis to be found. Hence, in respect to the use or the rejection of the playupon words, he must have been guided by the measure of the objects, andthe different style in which they required to be treated, and probablyhave followed here, as in every thing else, principles which, fairlyexamined, will bear a strict examination.
The objection that Shakspeare wounds our feelings by the open display ofthe most disgusting moral odiousness, unmercifully harrows up the mind, and tortures even our eyes by the exhibition of the most insupportable andhateful spectacles, is one of greater and graver importance.
What to read after Lectures On Dramatic Art And Literature?
You can find similar books in the "Read Also" column, or choose other free books by Schlegel August Wilhelm to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
In those which possess a great number ofhomonymes, that is, words possessing the same, or nearly the same, sound, though quite different in their derivation and signification, it isalmost more difficult to avoid, than to fall on such a verbal play. Ithas, however, been feared, lest a door might be opened to puerilewitticism, if they were not rigorously proscribed. But I cannot, for mypart, find that Shakspeare had such an invincible and immoderate passionfor this verbal witticism. It is true, h...e sometimes makes a most lavishuse of this figure; at others, he has employed it very sparingly; and attimes (for example, in _Macbeth_), I do not believe a vestige of itis to be found. Hence, in respect to the use or the rejection of the playupon words, he must have been guided by the measure of the objects, andthe different style in which they required to be treated, and probablyhave followed here, as in every thing else, principles which, fairlyexamined, will bear a strict examination.
The objection that Shakspeare wounds our feelings by the open display ofthe most disgusting moral odiousness, unmercifully harrows up the mind, and tortures even our eyes by the exhibition of the most insupportable andhateful spectacles, is one of greater and graver importance.
What to read after Lectures On Dramatic Art And Literature?
You can find similar books in the "Read Also" column, or choose other free books by Schlegel August Wilhelm to read onlineMoreLess
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