Leo Ornstein, the Man--His Ideas--His Work; By Frederick H. Martens
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In our eReader you can find the full English version of the book. Read Leo Ornstein, the Man--His Ideas--His Work; By Frederick H. Martens Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Leo Ornstein, the Man--His Ideas--His Work; By Frederick H. Martens
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To quickly assess the difficulty of the text, read a short excerpt:
So little has been left to the imagina- tion of the listener that he is no longer required to create toward the artist. In all epochs of great musical art — the epoch of Bach, the epoch of Cesar Franck, for in- stance — it was realized that the province of art was not to instil a passive pleasure in the listener. Great music must wake in us a creative impulse. Unless it does that, it has failed to fulfil its destiny." This question of the listener creating toward the artist is one which has lar...gely preoccupied Ornstein, and is a factor in all his creative work. The music-lover, the auditor, from his standpoint, should not content himself with the passive sensuous enjoyment of a shower-bath of sound. The appeal of Ornstein's music is made directly 50 L.EO Ornstein " to the imagination of the listener; he strives to intensify and perfect the expression of emotion to such a degree that those who hear it react creatively; that is, are awakened to a definite individual concept and apprecia- tion of its meaning.
What to read after Leo Ornstein, the Man--His Ideas--His Work; By Frederick H. Martens?
You can find similar books in the "Read Also" column, or choose other free books by Martens Frederick Herman to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
So little has been left to the imagina- tion of the listener that he is no longer required to create toward the artist. In all epochs of great musical art — the epoch of Bach, the epoch of Cesar Franck, for in- stance — it was realized that the province of art was not to instil a passive pleasure in the listener. Great music must wake in us a creative impulse. Unless it does that, it has failed to fulfil its destiny." This question of the listener creating toward the artist is one which has lar...gely preoccupied Ornstein, and is a factor in all his creative work. The music-lover, the auditor, from his standpoint, should not content himself with the passive sensuous enjoyment of a shower-bath of sound. The appeal of Ornstein's music is made directly 50 L.EO Ornstein " to the imagination of the listener; he strives to intensify and perfect the expression of emotion to such a degree that those who hear it react creatively; that is, are awakened to a definite individual concept and apprecia- tion of its meaning.
What to read after Leo Ornstein, the Man--His Ideas--His Work; By Frederick H. Martens?
You can find similar books in the "Read Also" column, or choose other free books by Martens Frederick Herman to read onlineMoreLess
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