Lettering in Ornament An Enquiry Into the Decorative Use of Lettering Past Pr
Lettering in Ornament An Enquiry Into the Decorative Use of Lettering Past Pr
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In our eReader you can find the full English version of the book. Read Lettering in Ornament An Enquiry Into the Decorative Use of Lettering Past Pr Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Lettering in Ornament An Enquiry Into the Decorative Use of Lettering Past Pr
What reading level is Lettering in Ornament An Enquiry Into the Decorative Use of Lettering Past Pr book?
To quickly assess the difficulty of the text, read a short excerpt:
We have only nm )|riDy][!D)o] MMI P;A\W MET 8l. DETAILS FROM THE WODEN DOORS OF LE PUY CATHEDRAL.
82. FROM A to let the two upright strokes of the N form on the one side part of the A, and on the other part of the D (84), and we have a perfect monogram which, moreover, acknowledges by its contrac- tion the comparative insignificance of the word. At all events a writer is free to indulge in any such monogrammic device which does not interfere with the legibility at which he aims ; whatever helps... the artist in spacing his letters is to the good. There is no occasion to keep sacred the separate identity Ill FLEMISH BRASS.
of each particular letter; and in this particular instance, at least, there is no mistaking the letters. Again, if we may use A. D. For Anno Domini, why not make a monogram of the letters (84), or join the double N in ANNO (84) ? The com- pound letter is not difficult to read in that con- nection. These and similar devices (83, 84) were all once freely in use.
It is an axiom of design that the method of workmanship employed sjiould be, not only 83.
What to read after Lettering in Ornament An Enquiry Into the Decorative Use of Lettering Past Pr?
You can find similar books in the "Read Also" column, or choose other free books by Day, Lewis Foreman, 1845-1910 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
We have only nm )|riDy][!D)o] MMI P;A\W MET 8l. DETAILS FROM THE WODEN DOORS OF LE PUY CATHEDRAL.
82. FROM A to let the two upright strokes of the N form on the one side part of the A, and on the other part of the D (84), and we have a perfect monogram which, moreover, acknowledges by its contrac- tion the comparative insignificance of the word. At all events a writer is free to indulge in any such monogrammic device which does not interfere with the legibility at which he aims ; whatever helps... the artist in spacing his letters is to the good. There is no occasion to keep sacred the separate identity Ill FLEMISH BRASS.
of each particular letter; and in this particular instance, at least, there is no mistaking the letters. Again, if we may use A. D. For Anno Domini, why not make a monogram of the letters (84), or join the double N in ANNO (84) ? The com- pound letter is not difficult to read in that con- nection. These and similar devices (83, 84) were all once freely in use.
It is an axiom of design that the method of workmanship employed sjiould be, not only 83.
What to read after Lettering in Ornament An Enquiry Into the Decorative Use of Lettering Past Pr?
You can find similar books in the "Read Also" column, or choose other free books by Day, Lewis Foreman, 1845-1910 to read onlineMoreLess
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