Literature: Ralph Waldo Emerson. France And Voltaire. Voltaire And Frederick the Great. Frederick the Great And Macaulay. Albert Dürer. the Brothers Grimm. Bettina Von Arnim. Dante On [i.E. And] the Recent Italian Struggle
The book Literature: Ralph Waldo Emerson. France And Voltaire. Voltaire And Frederick the Great. Frederick the Great And Macaulay. Albert Dürer. the Brothers Grimm. Bettina Von Arnim. Dante On [i.E. And] the Recent Italian Struggle was written by author Grimm, Herman Friedrich, 1828-1901 Here you can read free online of Literature: Ralph Waldo Emerson. France And Voltaire. Voltaire And Frederick the Great. Frederick the Great And Macaulay. Albert Dürer. the Brothers Grimm. Bettina Von Arnim. Dante On [i.E. And] the Recent Italian Struggle book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Literature: Ralph Waldo Emerson. France And Voltaire. Voltaire And Frederick the Great. Frederick the Great And Macaulay. Albert Dürer. the Brothers Grimm. Bettina Von Arnim. Dante On [i.E. And] the Recent Italian Struggle a good or bad book?
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Holbein has painted nothing that awakens deep enthusiasm. We note immense progress in him, but no development. His Dresden Madonna interprets nothing in his earlier or later pro- ALBERT DUEER. 205 ductions. It stands by itself, a miracle of art. Diirer could not have done this ; could not have approached it ever so remotely. Diirer never attempted to paint the beautiful simply for its own sake, or to produce a work whose sole aim was to charm the beholder. He was too childlike for this. He was ...not merely a painter, he was a Nuremberg painter, whilst Holbein had a universal genius, and was a cosmopolite, whose performances — like Leonardo da Vinci's — resembled rather those of a magician than of an artist human like ourselves. He disappears in England as Leonardo in France, and no record comes to us of their fate. After his stay in London the city rises before us veiled in fog, and just as unfamiliar as if he had never been a visitor within its walls. On the contrary, Diirer's journeys to Venice and the Netherlands are like rifts in clouds which else would wholly conceal the places from our sight.
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