Louis Van Beethoven's Studies in Thorough-Bass, Counterpoint And the Art of Scientific Composition, Collected From the Authograph [!] Posthumous Manuscripts of the Great Composer, And First Published, Together With Biological Notices
The book Louis Van Beethoven's Studies in Thorough-Bass, Counterpoint And the Art of Scientific Composition, Collected From the Authograph [!] Posthumous Manuscripts of the Great Composer, And First Published, Together With Biological Notices was written by author Beethoven, Ludwig Van, 1770-1827 Here you can read free online of Louis Van Beethoven's Studies in Thorough-Bass, Counterpoint And the Art of Scientific Composition, Collected From the Authograph [!] Posthumous Manuscripts of the Great Composer, And First Published, Together With Biological Notices book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Louis Van Beethoven's Studies in Thorough-Bass, Counterpoint And the Art of Scientific Composition, Collected From the Authograph [!] Posthumous Manuscripts of the Great Composer, And First Published, Together With Biological Notices a good or bad book?
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5. 6. 7. 8. 9. 10. + + + To obtain the possibility of this inversion , without breaking the laws of harmony , the following rules must be observed : 1) Two Thirds, Sixths, or Tenths are not to appear in motu recto, be- cause they would change themselves , as the above schedule shews , into Octaves , Fifths , and Unisons. 2) The bind of the Second must in no case be prepared by a Third, because that would give rise to consecutive Octaves, viz: 3, 2, 3 = 8, 9, 8. 3) The bind of the Fourth is not ...well applied to the upper part, be- cause it would produce a false resolution below : 7,8; in the lower part it may be advantageously used, when resolved into the Fifth, because it pro- duces 7, 6. above, (by inversion.) 258 THIRD SECTION. 4) The Fifth in motu recto is allowed in the free style , because it be- comes a Sixth by inversion. 5) Sixths that change into pure Fifths are allowed in motu recto. 6) The Seventh may be used a due both as a bind and in the regular transitus , but only as the Decima in a tre.
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