Mad Enchantment: Claude Monet And the Painting of the Water Lilies

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He was greeted at the door by a maid in a traditional laced cap from the Vendée who conducted him into a small study. In the center of the room sat a horseshoe-shaped table almost every inch of whose surface was piled with bundles of papers and pyramids of books, among which Sanvoisin spied Winston Churchill’s The World Crisis. Above the mantelpiece hung several sketches by Impressionist painters.“Monsieur le Président,” Sanvoisin greeted Clemenceau when his host finally appeared in the study we...aring gray suede gloves and a curious policeman’s hat, also gray, that reminded Sanvoisin of a Tartar’s helmet. “Do you wish to talk to me about Monet?”1The “Salon Monet” had finally been inaugurated one day earlier in the two rooms in the Orangerie. Clemenceau had been present for the occasion in the company of Blanche and Michel. “The Monets created the greatest effect,” he had written to a friend. “It’s a new kind of painting.”2 But to Sanvoisin he was more guarded, informing him that he did not want to speak about Monet, having little desire to put his thoughts and opinions on art before the public.

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