Madrid Critical Notes On the Prado

Cover Madrid Critical Notes On the Prado
Madrid Critical Notes On the Prado
Van Dyke, John Charles, 1856-1932
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Nothing could be more charming or more lovely. The two figures of women at the right support the statue of Venus but otherwise are hardly necessary in the picture except as they lend notes of colour. What triumphant colour in the foreground, wrung from the fruit, the scattered cloths, the grass and flowers, the blue-winged cupids! This colour is repeated at the top of the canvas in the flying cupids, the green foliage, and the blue sky seen through the trees. Finally, what a superb landscape! I...t is not airless as in No. 418, nor with crude sky and sharply outlined trees, but broader, freer, fuller of colour, more atmospheric, more beautiful in light. The picture is a magnifi- cent Titian. It has been cleaned some and re- painted in the head, neck, and arm of the woman with the mirror, in the statue, in the sky in spots here and there, but is still a wonderful work. Else- where regret has been expressed that Titian ever gave time to other work than portraiture; but here we recant. Such work as this could never be spared.

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