Manual of Single Double Triple Quadruple Counterpoint
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In our eReader you can find the full English version of the book. Read Manual of Single Double Triple Quadruple Counterpoint Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Manual of Single Double Triple Quadruple Counterpoint
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Brief modulatory transitions into related keys may be occasionally permitted. Now and then, too, a chromatic passing-note (an altered fifth is the best) may be employed ; e. G. , 16O.
c. F.
f/|\ 1 y 9& *' S2 \M-/ tr \ 1 J 1 1 J J J ^ *L /^'\ i TLjP l^y *V 4 flS *" ^ "\\J /m~ * ' **" -f * r -T-hp 2 _ SS2 1 1* _^j tj V J J J- J v j j jSi.
f^\ m '^"^" & * _ i I However, a series of chromatic notes is to be avoided. (See Man. Of Harm. , 57, Ex. 301 and 302. ) THREE-PART EQUAL COUNTERPOINT.
61 CHAPT...ER V. Three-part Counterpoint.
17. Three-part equal counterpoint must be so written, that the harmony may at all times be readily recognized ; although we have only three parts for the presentation of four-part chords. It is quite easy to follow this rule, because the inner part (alto or tenor) has more room to develop an independent leading. For this reason the inner part will be able to take leaps, particularly of a fourth or fifth, oftener than in four-part writing ; and this will be advisable when such leadings result in making the harmony fuller.
What to read after Manual of Single Double Triple Quadruple Counterpoint?
You can find similar books in the "Read Also" column, or choose other free books by Salomon Jadassohn to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Brief modulatory transitions into related keys may be occasionally permitted. Now and then, too, a chromatic passing-note (an altered fifth is the best) may be employed ; e. G. , 16O.
c. F.
f/|\ 1 y 9& *' S2 \M-/ tr \ 1 J 1 1 J J J ^ *L /^'\ i TLjP l^y *V 4 flS *" ^ "\\J /m~ * ' **" -f * r -T-hp 2 _ SS2 1 1* _^j tj V J J J- J v j j jSi.
f^\ m '^"^" & * _ i I However, a series of chromatic notes is to be avoided. (See Man. Of Harm. , 57, Ex. 301 and 302. ) THREE-PART EQUAL COUNTERPOINT.
61 CHAPT...ER V. Three-part Counterpoint.
17. Three-part equal counterpoint must be so written, that the harmony may at all times be readily recognized ; although we have only three parts for the presentation of four-part chords. It is quite easy to follow this rule, because the inner part (alto or tenor) has more room to develop an independent leading. For this reason the inner part will be able to take leaps, particularly of a fourth or fifth, oftener than in four-part writing ; and this will be advisable when such leadings result in making the harmony fuller.
What to read after Manual of Single Double Triple Quadruple Counterpoint?
You can find similar books in the "Read Also" column, or choose other free books by Salomon Jadassohn to read onlineMoreLess
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