Memoirs of the International Congress of Anthropology
Memoirs of the International Congress of Anthropology
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In our eReader you can find the full English version of the book. Read Memoirs of the International Congress of Anthropology Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Memoirs of the International Congress of Anthropology
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It is enough to say that the results obtained were similar and went to confirm the views suggested by our study of the first one. No. 2 is plainly in the key of D major, and every phrase of it implies harmony as clearly as does any civilized music. It is built on the tonic, dominant and subdominant chords; its tonality is much more strongly marked than that of No. 1; and it ends with the plagal cadence which I have so often found in the Omaha music and elsewhere. No. 3 is just as dearly in the ...key of E minor. It certainly implies the tonic and dominant chords, and the cadence is best made with the subdominant before the tonic, i. e., a plagal cadence. Although this chord is not necessarily implied in the melody, it makes the close more natural, and is most satisfactory alike Digitized by Google 164 THE INTERNATIONAL CONGRESS OF ANTHROPOLOGY.
to civilized and uncivilized ears. All this is directly in the line of my previous investigations in the Omaha music, and tends to confirm the conclusions toward which those investigations seemed clearly to point.
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To quickly assess the difficulty of the text, read a short excerpt:
It is enough to say that the results obtained were similar and went to confirm the views suggested by our study of the first one. No. 2 is plainly in the key of D major, and every phrase of it implies harmony as clearly as does any civilized music. It is built on the tonic, dominant and subdominant chords; its tonality is much more strongly marked than that of No. 1; and it ends with the plagal cadence which I have so often found in the Omaha music and elsewhere. No. 3 is just as dearly in the ...key of E minor. It certainly implies the tonic and dominant chords, and the cadence is best made with the subdominant before the tonic, i. e., a plagal cadence. Although this chord is not necessarily implied in the melody, it makes the close more natural, and is most satisfactory alike Digitized by Google 164 THE INTERNATIONAL CONGRESS OF ANTHROPOLOGY.
to civilized and uncivilized ears. All this is directly in the line of my previous investigations in the Omaha music, and tends to confirm the conclusions toward which those investigations seemed clearly to point.
What to read after Memoirs of the International Congress of Anthropology?
You can find similar books in the "Read Also" column, or choose other free books by Charles Staniland Wake to read onlineMoreLess
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