Memorials Monuments Old And New Two Hundred Subjects Chosen From Seven Centur

Lawrence Weaver

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M. SMITH. FJELD-DRESSER L. JHUCHES .
A ITHIS TABLET AND*THE WINDOW IN THE t> CHAPEL AKE QIVEN BY OLD MARLBUR1AHS A. D. MCMII.
FIG. 83. SOUTH AFRICAN MEMORIAL. MARLBOROUGH COLLEGE. ALABASTER. Architect G. F. Bodley, R. A. 1902 193 FIG. 84. &. N. FREELING. MERTON COLLEGE CHAPEL, OXFORD. HOPTON WOOD STONE, DULL POLISHED, WITH BRONZE PANEL. Sir Thomas Jackson, R. A. 1893.
195 The Question of Styles alabaster and red and black marbles achieves a rich and harmonious colour effect. In the spandrels ab...ove the niche are architectural and musical instruments, which express Bodley's occupations and interests (Fig. 80).
I come now to the aesthetic outlook of the artist employed. The days of the pre- eminence of mediaeval influence have gone, but it was very powerful during the latter half of the nineteenth century. Among the architects of that period to whom Gothic detail appealed with absolute significance, none was more successful than Thomas Garner, who was asso- ciated for so many years with G.

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