Metaphor And Simile in the Minor Elizabethan Drama
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g. Peele, II 42 ; Marlowe, I 173, 183.
3Cf. J. A. Symonds, Essays Speculative and Suggestive, 409. Mr. Symonds has developed this topic at considerable length and with his usual felicity of 1 66 METAPHOR AND SIMILE.
nearly the whole of Peele's Arraignment of Paris, which in fact is a masque rather than a play, and most of David and Bethsabe.
Miles, Friar Bacon's servant, in Greene's Friar Bacon and Friar Bungay i not without decorum is made to talk in Skeltonian verse.
In Act IV, scene ii, of J...ames IV there is a passage of rhymed lyric dialogue between the huntsmen and the ladies. Lyrical in movement and imagery also is Tamburlaine's descant at the open- ing of Act II, scene iv, of the Second Part of Marlowe's play of that name, with its regularly repeated refrain, "To entertain divine Zenocrate." So in The Jew of Malta , Act IV, scene iv, Ithamore, not with- out parody, one must believe, addressing the precious Bellamira, drops into poetry, like Silas Wegg : " Content, but we will leave this paltry land, And sail from hence to Greece, to lovely Greece.
What to read after Metaphor And Simile in the Minor Elizabethan Drama?
You can find similar books in the "Read Also" column, or choose other free books by Frederic Ives Carpenter to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
g. Peele, II 42 ; Marlowe, I 173, 183.
3Cf. J. A. Symonds, Essays Speculative and Suggestive, 409. Mr. Symonds has developed this topic at considerable length and with his usual felicity of 1 66 METAPHOR AND SIMILE.
nearly the whole of Peele's Arraignment of Paris, which in fact is a masque rather than a play, and most of David and Bethsabe.
Miles, Friar Bacon's servant, in Greene's Friar Bacon and Friar Bungay i not without decorum is made to talk in Skeltonian verse.
In Act IV, scene ii, of J...ames IV there is a passage of rhymed lyric dialogue between the huntsmen and the ladies. Lyrical in movement and imagery also is Tamburlaine's descant at the open- ing of Act II, scene iv, of the Second Part of Marlowe's play of that name, with its regularly repeated refrain, "To entertain divine Zenocrate." So in The Jew of Malta , Act IV, scene iv, Ithamore, not with- out parody, one must believe, addressing the precious Bellamira, drops into poetry, like Silas Wegg : " Content, but we will leave this paltry land, And sail from hence to Greece, to lovely Greece.
What to read after Metaphor And Simile in the Minor Elizabethan Drama?
You can find similar books in the "Read Also" column, or choose other free books by Frederic Ives Carpenter to read onlineMoreLess
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