Methods And Aims in the Study of Literature; a Series of Extracts And Illustrations 31

Cover Methods And Aims in the Study of Literature; a Series of Extracts And Illustrations 31
Methods And Aims in the Study of Literature; a Series of Extracts And Illustrations 31
Cooper Lane
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He was a troubadour. . . .
Dante himself bears witness that Daniel was not pop- ular. ... It astonishes us to hear Petrarch call him ' First among all, . . . great master of love, who still does honor to his country with his novel and beautiful diction.' We wonder still more at Dante's admiration, and the tradition of reverence that continued down even to Tasso's day. . . .
Daniel's passion for *rich rhymes' and the obscure style was not mere affectation, mere striving for novelty.
His mind was
... naturally reserved and self-contained, not easy and effusive. * He that would earn praise must govern himself,' he sang ; and again : * Love bridles my mouth.' . . . Such a man was not likely to be satisfied with a ready, flowing style. Besides, he was nobly bom and well educated, and naive poetry was too simple for him. He knew and felt the power of words. Not con- tent with the purest form of the troubadour tongue — his mother-speech — he winnowed and elaborated it. . . .
All these are the marks of an artistic poet.


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