Modern French Masters a Series of Biographical And Critical Reviews By American

Cover Modern French Masters a Series of Biographical And Critical Reviews By American
Modern French Masters a Series of Biographical And Critical Reviews By American
Van Dyke, John Charles, 1856-1932
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Carolus-Diu-an, one bright May morning in 1874, as the monthly product of compositions and sketches hung on the walls of the studio for his inspection.
The atelier was neither large nor numerously attended. Situated at No. 81, on the Boulevard Montparnasse, it was in an out-of-the-way place, surrounded by many market-gardens and long stretches of convent walls, which gave the neighbor- hood a rather desolate appearance. But the energy of New England had penetrated even to that remote suburb, an
...d, the year before (1873), an enthusiastic young American, — now the Washington artist Mr. Robert Hinckley, — having been fasci- nated by the brilhancy of the master's work he had seen in the Salon, had waited on M. Carolus-Duran and gained per- mission to become his pupil. With his acceptance of Mr. Hinckley began the Atelier Carolus-Duran, which has since become famous in the histoiy of French art.
In those days it was customary among the distinguished French artists to have a following of students to whom they gave, free of all cost, the benefit of their experience and skill.


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