Modern Painting Its Tendency And Meaning
Modern Painting Its Tendency And Meaning
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In our eReader you can find the full English version of the book. Read Modern Painting Its Tendency And Meaning Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Modern Painting Its Tendency And Meaning
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A solid dark is con- ducive to peace, while quickly succeeding light and dark promote liveliness. Bearing these funda- mental postulates in mind we can easily analyse Picasso's quality of synthesis. The straight line which predominates in Cubism repudiates colour: the Cubists were not colourists. The curved 244 MODERN PAINTING line, when profoundly comprehended, expresses movement and fluidity; when used haphazardly mere prettiness results. There are seldom any curves in Cubism, and then only f...or relieving the monotony, for the sake of ornament. In the Cubists' scintillating succession of darks and lights, like a photographic negative of a Cezanne or an early Renoir, there is an unescapable femi- nine prettiness in which the twinkling of tone serves the same purpose as pretty colour. By their straight lines, subfuse tones and rigid forms, on the one hand, they achieve immobility. By their lights and darks, their curves and their dependence on nature, on the other hand, they reveal their emotional kinship to the illustrative schools of Whistler, Fragonard and Tiepolo.
What to read after Modern Painting Its Tendency And Meaning?
You can find similar books in the "Read Also" column, or choose other free books by S S Van Dine to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
A solid dark is con- ducive to peace, while quickly succeeding light and dark promote liveliness. Bearing these funda- mental postulates in mind we can easily analyse Picasso's quality of synthesis. The straight line which predominates in Cubism repudiates colour: the Cubists were not colourists. The curved 244 MODERN PAINTING line, when profoundly comprehended, expresses movement and fluidity; when used haphazardly mere prettiness results. There are seldom any curves in Cubism, and then only f...or relieving the monotony, for the sake of ornament. In the Cubists' scintillating succession of darks and lights, like a photographic negative of a Cezanne or an early Renoir, there is an unescapable femi- nine prettiness in which the twinkling of tone serves the same purpose as pretty colour. By their straight lines, subfuse tones and rigid forms, on the one hand, they achieve immobility. By their lights and darks, their curves and their dependence on nature, on the other hand, they reveal their emotional kinship to the illustrative schools of Whistler, Fragonard and Tiepolo.
What to read after Modern Painting Its Tendency And Meaning?
You can find similar books in the "Read Also" column, or choose other free books by S S Van Dine to read onlineMoreLess
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