Mrs. Fiske, Her Views On Actors, Acting, And the Problems of Production
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In our eReader you can find the full English version of the book. Read Mrs. Fiske, Her Views On Actors, Acting, And the Problems of Production Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Mrs. Fiske, Her Views On Actors, Acting, And the Problems of Production
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To quickly assess the difficulty of the text, read a short excerpt:
The all-important' thing, then," she concluded, "is the voice." I began to chuckle.
"What," she asked, "are you laughing at?" And I confessed to a vision of Mrs. Fiske discovering Diderot at his old trick of slipping quietly into a rear seat at the theater, covering his ears with his hands, and so, for his own greater enjoyment, transforming any perforai- ance into pantomime.
"What would you have done," I asked, "if you had come upon Diderot stopping up his ears?" "Boxed them," said Mrs. Fiske.... "The voice, then, and the imagination. And be reflective.
Think. Does this seem so obvious as to be scarcely worth saying? Let me tell you, dear child, that an appalling proportion of the young players who pass our way cannot have spent one really reflective hour since the stage-door first closed behind them. I am sure they haven't. It would have left some trace.
Mniiy, the whole world may be the range of the ^ 85 Y MRS. FISKE actor's thou^ts J I remember how delisted I was when I saw Duse quoted somewhere as say- ing that in her own art she had found most helpful and suggestive her studies in Greek architecture.
What to read after Mrs. Fiske, Her Views On Actors, Acting, And the Problems of Production?
You can find similar books in the "Read Also" column, or choose other free books by Fiske, Minnie Maddern (Davey) Mrs., 1865-1932 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The all-important' thing, then," she concluded, "is the voice." I began to chuckle.
"What," she asked, "are you laughing at?" And I confessed to a vision of Mrs. Fiske discovering Diderot at his old trick of slipping quietly into a rear seat at the theater, covering his ears with his hands, and so, for his own greater enjoyment, transforming any perforai- ance into pantomime.
"What would you have done," I asked, "if you had come upon Diderot stopping up his ears?" "Boxed them," said Mrs. Fiske.... "The voice, then, and the imagination. And be reflective.
Think. Does this seem so obvious as to be scarcely worth saying? Let me tell you, dear child, that an appalling proportion of the young players who pass our way cannot have spent one really reflective hour since the stage-door first closed behind them. I am sure they haven't. It would have left some trace.
Mniiy, the whole world may be the range of the ^ 85 Y MRS. FISKE actor's thou^ts J I remember how delisted I was when I saw Duse quoted somewhere as say- ing that in her own art she had found most helpful and suggestive her studies in Greek architecture.
What to read after Mrs. Fiske, Her Views On Actors, Acting, And the Problems of Production?
You can find similar books in the "Read Also" column, or choose other free books by Fiske, Minnie Maddern (Davey) Mrs., 1865-1932 to read onlineMoreLess
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