Music: An Art And a Language

Cover Music: An Art And a Language
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These he would polish and improve — sometimes for years — before they took final shape.
Many of these sketch books^ have been preserved and edited, and they illustrate, most vividly, Beethoven's method of composing: slow, cautious, but invincible in its final effect; an idea frequently being altered as many as twenty times. At the age of twenty-two he was chiefly known as a pianist with wonderful facility in impro- visation; his compositions had been insignificant. The next eight years — up to
...1800, when Beethoven was thirty — were spent in acquainting himself with the Viennese aristocracy and in building ^ See the two Beethoveniana by Nottebohm.
126 MUSIC: AN ART AND A LANGUAGE up a public clientele. Then follows the marvellous period until 1815 in which his power of inspiration was at its height, and which gave to the world a body of work for magnitude and variety never surpassed: all the symphonies except the Ninth, the first twenty- seven pianoforte Sonatas, five concertos for pianoforte and orchestra, the opera of Fidelio, several Overtures, numerous string quartets and ensemble chamber music.


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