Musical Education
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In our eReader you can find the full English version of the book. Read Musical Education Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Musical Education
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To quickly assess the difficulty of the text, read a short excerpt:
This, added to the way of writing the tenor in the G clef (that is to say, an octave higher than the real sound pro- nounced), had given him the conviction that in a duet with a soprano, he was the one who always had the highest note. He made it a matter of amour-propre, and was astonished that in the scores the soprano line was always placed above the tenor. Nobody dared to contradict him, some for the sake of not causing him chagrin and others for fear of putting him in a rage, for he was exc...eedingly irascible. One day, however, relying on our ancient friendship, I risked an attempt to show him his error. He burst into a violent rage, pretended that I was jesting and wanted to make sport of him, and that he did not need to take lessons from anybody. . . . And we remained embroiled un- til his death.
Our singing-students are not willing to recognize that this ignorant vanity places them in a condition of real inferiority with regard to their foreign brethren, and that it condemns them, in addition, to remain per- petually under the tutelage of someone, an accom- panist, a tutor, or a singing-master of their theatre, and all because, incapable as they are of reading for themselves and understanding their parts, they must always bejyiped to like scholars.
What to read after Musical Education?
You can find similar books in the "Read Also" column, or choose other free books by Albert Lavignac to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
This, added to the way of writing the tenor in the G clef (that is to say, an octave higher than the real sound pro- nounced), had given him the conviction that in a duet with a soprano, he was the one who always had the highest note. He made it a matter of amour-propre, and was astonished that in the scores the soprano line was always placed above the tenor. Nobody dared to contradict him, some for the sake of not causing him chagrin and others for fear of putting him in a rage, for he was exc...eedingly irascible. One day, however, relying on our ancient friendship, I risked an attempt to show him his error. He burst into a violent rage, pretended that I was jesting and wanted to make sport of him, and that he did not need to take lessons from anybody. . . . And we remained embroiled un- til his death.
Our singing-students are not willing to recognize that this ignorant vanity places them in a condition of real inferiority with regard to their foreign brethren, and that it condemns them, in addition, to remain per- petually under the tutelage of someone, an accom- panist, a tutor, or a singing-master of their theatre, and all because, incapable as they are of reading for themselves and understanding their parts, they must always bejyiped to like scholars.
What to read after Musical Education?
You can find similar books in the "Read Also" column, or choose other free books by Albert Lavignac to read onlineMoreLess
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