Musical Interpretation, Its Laws And Principles, And Their Application in Teaching And Performing
The book Musical Interpretation, Its Laws And Principles, And Their Application in Teaching And Performing was written by author Tobias. Matthay Here you can read free online of Musical Interpretation, Its Laws And Principles, And Their Application in Teaching And Performing book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Musical Interpretation, Its Laws And Principles, And Their Application in Teaching And Performing a good or bad book?
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Otherwise, in place of a beautifully curved effect (the very purpose of Rubato) we shall have time-spikes (notes actually out of time) sticking out all over our performance — spikes just as uncomfortable as physical spikes.^ For instance, I have 1 See Notes, pp. 72 and 74. THE ELEMENT OF RXJBATO 105 heard quite a good artist-pupil play the opening phrase of Chopin's Nocturne in G in such spike-rubato fashion in her attempts to supply the something felt to be necessary. I will show you the fault... and its correction:^ Example 67. a) Incorrect: /?\Jemi>o.jUlo...„ C\.te7npo.Allo..r\tempo.. h) Correct Ruhaf a To make such a mistake seems absurd enough, but it really was a most honest endeavor, made by a thoroughly earnest and in many ways experienced musician and teacher. It arose from the fact that she had not been allowed to apply Rubato when she was a young student, and could easily have learnt its true application; but her teachers had discountenanced such supposed frivohties — because they knew not how to teach Rubato.
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