Nature in Italian Art; a Study of Landscape Backgrounds From Giotto to Tintoretto
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In our eReader you can find the full English version of the book. Read Nature in Italian Art; a Study of Landscape Backgrounds From Giotto to Tintoretto Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Nature in Italian Art; a Study of Landscape Backgrounds From Giotto to Tintoretto
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Less fanciful than Carpaccio, he has the great manner, the rich glow of colour, the massive treatment of figures and foliage and coast-line that enabled him to merge his Bellini inheritance in the new world opened up by Giorgione, whom he studied in later life. His atmospheric effects are denser than Bellini's. The National Gallery is for- tunate in possessing several examples of Catena ; in the fine Warrior adoring the Infant Christ, blue mountains, a grove of trees, and a church with a pictur...esque, round-topped campanile in the middle distance, are set against a clear, sunset sky, with a lovely apricot glow. Two quails are seen in one corner ; another is St. Jerome's companion in his study, the window of which looks out on the sea.
Masses of dark foliage, and a bank of rosy cloud are seen in the other Adoration ; its sunset light is reflected by a small cascade, and some buildings.
Lord Brownlow's t Nativity has a beautiful background 236 Plate 37 Seashores and Hill-Towns of hills, dotted with trees, among which a path winds to the towered citadel on the summit.
What to read after Nature in Italian Art; a Study of Landscape Backgrounds From Giotto to Tintoretto?
You can find similar books in the "Read Also" column, or choose other free books by Salter, E. Gurney (Emma Gurney), B. 1875 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Less fanciful than Carpaccio, he has the great manner, the rich glow of colour, the massive treatment of figures and foliage and coast-line that enabled him to merge his Bellini inheritance in the new world opened up by Giorgione, whom he studied in later life. His atmospheric effects are denser than Bellini's. The National Gallery is for- tunate in possessing several examples of Catena ; in the fine Warrior adoring the Infant Christ, blue mountains, a grove of trees, and a church with a pictur...esque, round-topped campanile in the middle distance, are set against a clear, sunset sky, with a lovely apricot glow. Two quails are seen in one corner ; another is St. Jerome's companion in his study, the window of which looks out on the sea.
Masses of dark foliage, and a bank of rosy cloud are seen in the other Adoration ; its sunset light is reflected by a small cascade, and some buildings.
Lord Brownlow's t Nativity has a beautiful background 236 Plate 37 Seashores and Hill-Towns of hills, dotted with trees, among which a path winds to the towered citadel on the summit.
What to read after Nature in Italian Art; a Study of Landscape Backgrounds From Giotto to Tintoretto?
You can find similar books in the "Read Also" column, or choose other free books by Salter, E. Gurney (Emma Gurney), B. 1875 to read onlineMoreLess
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