Notes And Emendations to the Text of Shakespeare's Plays : From Early Manuscript Corrections in a Copy of the Folio, 1632, in the Possession of J. Payne Collier ... Forming a Supplementai volume to the Works of Shakespeare By the Same Editor

Cover Notes And Emendations to the Text of Shakespeare's Plays : From Early Manuscript Corrections in a Copy of the Folio, 1632, in the Possession of J. Payne Collier ... Forming a Supplementai volume to the Works of Shakespeare By the Same Editor
Notes And Emendations to the Text of Shakespeare's Plays : From Early Manuscript Corrections in a Copy of the Folio, 1632, in the Possession of J. Payne Collier ... Forming a Supplementai volume to the Works of Shakespeare By the Same Editor
Collier, John Payne, 1789-1883
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Scene L, and elsewhere, we have seen " thou" misprinted then.
Digitized by LjOOQIC 846 TBOILUS AND CRESSIDA. [aCT ACT V. SCENE L P. 110. Nobody has attempted to explain why Thersites, when he calls Patroclus the "male varlet" and "masculine whore *' of Achilles, ends by wishing a list of loathsome diseases (part of which only are mentioned in the folios) to afflict "such preposterous discoveries.'' What can be the meaning of ** discoveries " so applied ? The old corrector has it "such preposter
...ous diacolourers ;" and perhaps rightly, the allusion being to the painting and discolouring of nature by Patroclus, like a female prostitute.
SCENE IL P. 113. The quartos and folios vary materially in one of the speeches of Thersites. According to the first, he says of Cressida, " And any man may sing her, if he can take her cliff; she's noted:" on the other hand, the folios, with evi- dent corruption, give the passage thus : " And any man may find her, if he can but take her life; she's noted." The allu- sion isy probably, indelicate ; and the old corrector inserts one word in the folio, 1632, that had been omitted, and alters another that had been misprinted — "And any man may find her key, if he can take her dejSi; she's noted." The figure is, of course, borrowed from singing at sight, and this last reading seems preferable to that oi the quartos.


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