On Actors And the Art of Acting
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But it is quite wrong ; his language is not " measured, musical, and incisive," his manner decidedly not " typical and pictorial." Sanson, with his satirical bonhomie in " Le Fils de Giboyer," has been much admired, because, having to act the Marquis d'Auberive, he was so precisely like a French nobleman of the old regime. His business, he should have learnt, was not to resemble a real marquis, but to " impress the idealised image " of a marquis upon the spectator's mind. The terrible reality o...f Delaunay's acting in the last scene of " On ne Badine pas avec F Amour " has made many Spectators shudder ; but then it is so perfectly natural, the expressions are not the least " sublimated." ' If he knew more of the French stage, he would, I think, have paused before writing such a passage. He would know that Rachel was supreme in virtue of those very qualities which he asserts the French actors to have relinquished in their hankering after nature ; he would know that Mdme. Plessy is the most musical, the most measured, the most incisive speaker (whether of 124 ON ACTORS AND THE ART OF ACTING.
What to read after On Actors And the Art of Acting?
You can find similar books in the "Read Also" column, or choose other free books by Lewes George Henry to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
But it is quite wrong ; his language is not " measured, musical, and incisive," his manner decidedly not " typical and pictorial." Sanson, with his satirical bonhomie in " Le Fils de Giboyer," has been much admired, because, having to act the Marquis d'Auberive, he was so precisely like a French nobleman of the old regime. His business, he should have learnt, was not to resemble a real marquis, but to " impress the idealised image " of a marquis upon the spectator's mind. The terrible reality o...f Delaunay's acting in the last scene of " On ne Badine pas avec F Amour " has made many Spectators shudder ; but then it is so perfectly natural, the expressions are not the least " sublimated." ' If he knew more of the French stage, he would, I think, have paused before writing such a passage. He would know that Rachel was supreme in virtue of those very qualities which he asserts the French actors to have relinquished in their hankering after nature ; he would know that Mdme. Plessy is the most musical, the most measured, the most incisive speaker (whether of 124 ON ACTORS AND THE ART OF ACTING.
What to read after On Actors And the Art of Acting?
You can find similar books in the "Read Also" column, or choose other free books by Lewes George Henry to read onlineMoreLess
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