On Drawing And Painting

Cover On Drawing And Painting
On Drawing And Painting
Denman Waldo Ross
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To be in Har- mony two or more effects of light must have at least something in conmion. Some element, at least, must be repeated. The Digitized by Google 62 ON DRAWING AND PAINTING greater the number of repetitions or recurrences the greater the Harmony. The Harmony b perfect when all the elements are repeated and there is an exact correspondence between the effects. There is another consideration. The more dis- tinctly the repetitions are felt the greater will be the sense of Harmony. The rep...etitions and the Harmony which is pro- duced by them must be as distinctly felt as the element of variety and contrast. Wide intervals and large vacant spaces between the repetitions should be avoided, for they will catch and hold the eye and prevent the appreciation of the repetitions. Any strong contrast of tones, whether it be a contrast of value or of color, will hold the eye and keep it from moving over the siu^ace to appreciate the repetitions and the Harmony of them. Any tone of particularly intense color, especially if it appears among tones which are comparatively neutral, will hold the eye in the same way; so, also, all strong differences of measure and of shape and complications of drawing from which the eye cannot escape so as to appreciate the repetition and the Harmony.

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