On the Theory of Painting to Which is Added And Index of Mixed Tints And An in
On the Theory of Painting to Which is Added And Index of Mixed Tints And An in
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His Ma- " donnas enchant us, as Mengs observes, not " because 126 BEAUTY, GRACE, " because they possess the perfect lineaments " of the Medicean Venus or of the celebrated " daughter of Niobe, but because the painter in " their portraits and in their expressive smiles has " personified modesty, maternal love, purity of " mind, and in a word, grace itself. Nor did he " impress this character on the countenance alone, " but distributed it throughout the figure in its " attitude, gesture, and acti...on, and in the folds " of the drapery, with a dexterity which may be " admired but can never be surpassed. His free- " dom of execution was a component part of his " grace, which indeed vanishes as soon as labour " and study appear ; for it is with the painter as " with the orator, in whom a natural and spon- taneous eloquence delights us, while we turn " away with indifference from an artificial and " studied harangue. " Grace should be extended to expression. A figure, a statue, or a plant may stand gracefully, or they may be moved or represent motion grace- fully, AND EXPRESSION.
What to read after On the Theory of Painting to Which is Added And Index of Mixed Tints And An in?
You can find similar books in the "Read Also" column, or choose other free books by T H Theodore Henry Fielding to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
His Ma- " donnas enchant us, as Mengs observes, not " because 126 BEAUTY, GRACE, " because they possess the perfect lineaments " of the Medicean Venus or of the celebrated " daughter of Niobe, but because the painter in " their portraits and in their expressive smiles has " personified modesty, maternal love, purity of " mind, and in a word, grace itself. Nor did he " impress this character on the countenance alone, " but distributed it throughout the figure in its " attitude, gesture, and acti...on, and in the folds " of the drapery, with a dexterity which may be " admired but can never be surpassed. His free- " dom of execution was a component part of his " grace, which indeed vanishes as soon as labour " and study appear ; for it is with the painter as " with the orator, in whom a natural and spon- taneous eloquence delights us, while we turn " away with indifference from an artificial and " studied harangue. " Grace should be extended to expression. A figure, a statue, or a plant may stand gracefully, or they may be moved or represent motion grace- fully, AND EXPRESSION.
What to read after On the Theory of Painting to Which is Added And Index of Mixed Tints And An in?
You can find similar books in the "Read Also" column, or choose other free books by T H Theodore Henry Fielding to read onlineMoreLess
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