Original Papers Illustrating the History of the Application of the Roman Alphabet to the Languages of India

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But fm-ther, the Musalmfin being forbidden by his religion to paint animals, is forced to de- velope his SBSthetical tendencies in the direction of calli- graphy. For every-day purposes he pens the vilest scrawl; but on other occasions he makes a picture of his writing ; he sets about it as he would about drawing or miniature-painting ; every stroke is studied ; he dispenses with all vowel points because they offend the eye ; he groups his dots as he would .the figures in a landscape; he allows... himself unlimited license in the way of ciirves and flomishes ; he cares nothing about legibility ; his sole object is to carry out his ideas of " the beautiful " in penmanship.
For these reasons, then, the Persi-Arabic character, how- ever pleasing in appearance, can never be anything but very unreadable, very unprintable, and wholly unadapted to meet the requirements of advancing knowledge and civilisation in the East.
And now a few words in explanation of the Deva-ndgari or Hindu system. This, although deficient in two important symbols (represented in the Eoman by z and /), is on the whole the most perfect and symmetrical of all known alphabets.


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