Outline Analysis of Each of J. S. Bach's Forty-Eight Fugues in the "das Wohltemperirte Clavier."

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Included in Plan, with one change of key, p. 387.
FUGUE 14*, F sharp minor.
OUTLINE ANALYSIS.
1-4 4-7 7-8 Bars 1-18, 1 Sub. (1), ) Real Ans. (2), ] p„„ , J ExPosiTiox I { ,j^^^^^^;' [ -^ ^1^^ I Cod. I. \ ^^^^ 8-11 Sub. (3), 11-15 Cod. II.
15-18 Sub. (4), Treble.
Bars : — Bars : — 18-20 20-23 Ep. I. Th. (.5) inverted, Alto.
23-25 Ep. II.
28-29 29-32 32-35 35-37 Cod. Sub. (7), Tenor Th. (8) inverted, Bass. Ep. III.
25-28 Ans. (6), Treble.
37-40 Sub. (9), Treble.
Theme.
Keys.
1 F# mi.
KEYS OF ENTR
...IES OF THE THEME.
2 I 3 I 4 1 5 16 17 Oj mi. I P J mi. I F* mi. I C #, F-t mi. I 0* mi. | Ft mi.
8 Ft mi.
9 Ft mi.
Subject Theme inverted.
Theme inverted.
Not one entry of the Theme in another relative key, all in Tonic and Dominant keys.
^iil lE^iE ?t=t=zt=t „ J. Bars 20-23. .^ ±:z±: t^ ttt =1=1= ^EgE P= '&i^ Bars 32-35.
L^^g^^^^^ «=3= ^^^ OUTLINE ANALYSIS OF BAOH's FOBTT-BIGHT FUGUES.
11 This fague and No. 12 are the two fugues in which the Subject appears twice in succession in the Exposition.


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