Outline of Technique a Guide in the Theory And Practice of Mechanism in Pianofo

Cover Outline of Technique a Guide in the Theory And Practice of Mechanism in Pianofo
Outline of Technique a Guide in the Theory And Practice of Mechanism in Pianofo
George H Howard
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Never prac- tice faster, however, than you can play uninterruptedly and with ease and precision. The tempo in the more fluent or rapid movements may be regulated by the use of the met- ronome, not playing with the metronome, but in a certain degree of quickness as indicated by the metronome. Thus if the greatest practicable fluency through one week be f= 92, the following week it may be increased to 104, the next to 112, the next to 116, and so on, or even with more gradual progress.
INCREASE O
...F POWER IN TOUCH.
The touch at first should be ;;// or w, but as strength is gained through use, the greater and lesser degrees of power should be studied. In the latter, the touch must not become inarticulate; but the tones, though subdued, must be pure and perfect: in the former they must not become unmusical, and the tones, though loud, may still remain tones, and not degen- erate into noise.
PRACTICE FOR ENDURANCE AND MUSCULAR EXERCISE Should be introduced at this stage for all but the strongest hands- For this purpose, fifty to one hundred repetitions of an exercise with fortissimo touch may be useful.


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