Painting, Sculpture And Architecture As Representative Arts; An Essay in Comparative æsthetics 4
Painting, Sculpture And Architecture As Representative Arts; An Essay in Comparative æsthetics 4
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In our eReader you can find the full English version of the book. Read Painting, Sculpture And Architecture As Representative Arts; An Essay in Comparative æsthetics 4 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Painting, Sculpture And Architecture As Representative Arts; An Essay in Comparative æsthetics 4
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To quickly assess the difficulty of the text, read a short excerpt:
But it will not be changed in charac- ter. It needs to be borne in mind, however, that, in con- nection with each possible position of the head or eyes, there may be a conception of what is pleasurable or un- pleasurable. Precisely the same position of the head and direction of the eye may represent both faith and fear.
Which of the two it is can be interpreted only by the facial muscles. Again, too, it must be borne in mind that all the effects that we are to consider are produced by way of co...ntrast. A projected forehead, for instance, represents mentality, as contrasted with the vitality which would be represented were the chin projected. But whether the mentality be owing to a presence of thought, or merely to an absence of physical force, must be deter- mined by the expression of the eyes and facial muscles accompanying the position.
The reader will now understand what is meant when it is said that if, in connection with a general forward or aggressive movement of the head toward an object or person, the face be held so that the chin is in advance, this indicates, if not aggressive vitality or physical force (see St.
What to read after Painting, Sculpture And Architecture As Representative Arts; An Essay in Comparative æsthetics 4?
You can find similar books in the "Read Also" column, or choose other free books by George Lansing Raymond to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
But it will not be changed in charac- ter. It needs to be borne in mind, however, that, in con- nection with each possible position of the head or eyes, there may be a conception of what is pleasurable or un- pleasurable. Precisely the same position of the head and direction of the eye may represent both faith and fear.
Which of the two it is can be interpreted only by the facial muscles. Again, too, it must be borne in mind that all the effects that we are to consider are produced by way of co...ntrast. A projected forehead, for instance, represents mentality, as contrasted with the vitality which would be represented were the chin projected. But whether the mentality be owing to a presence of thought, or merely to an absence of physical force, must be deter- mined by the expression of the eyes and facial muscles accompanying the position.
The reader will now understand what is meant when it is said that if, in connection with a general forward or aggressive movement of the head toward an object or person, the face be held so that the chin is in advance, this indicates, if not aggressive vitality or physical force (see St.
What to read after Painting, Sculpture And Architecture As Representative Arts; An Essay in Comparative æsthetics 4?
You can find similar books in the "Read Also" column, or choose other free books by George Lansing Raymond to read onlineMoreLess
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