Paper On Chinese Music
Paper On Chinese Music
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In our eReader you can find the full English version of the book. Read Paper On Chinese Music Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Paper On Chinese Music
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It has the seven notes, with semitones between the 3rd and 4th and 7th and 8th. This scale came from the Northern Liao dynasty, a race related to the Mongols and Munch us. This was a little hefore Guido < who died 1050) invented the stave and introduced the use of the syllables, ut, re, mi, fa, so, la; these being the first syllables of a six-lined hymn to John the Baptist. The ut was afterwards changed to the more open syllable do. Not till 1600 odd was the seventh name added in Europe by a French- man, Lemaire, who called it si. We thus find that the Chinese had the complete names for the diatonic scale 600 years before it was completed in Europe, and that China had its sol-fa system over 800 years before Curwen (about 1840) started his sol-fa system, This notation, whether Chinese or foreign, when thoroughly learned first and afterwards applied to the stave- -then called solfeggio, and the key-note always being do -makes the most expert readers at sight of any musical system. We strongly advise, in teaching theChinese, that either Ourwen's sol-fa or the Chinese JC >R be first used in teaching them to sing.
What to read after Paper On Chinese Music?
You can find similar books in the "Read Also" column, or choose other free books by Mary Martin Richard to read online
To quickly assess the difficulty of the text, read a short excerpt:
It has the seven notes, with semitones between the 3rd and 4th and 7th and 8th. This scale came from the Northern Liao dynasty, a race related to the Mongols and Munch us. This was a little hefore Guido < who died 1050) invented the stave and introduced the use of the syllables, ut, re, mi, fa, so, la; these being the first syllables of a six-lined hymn to John the Baptist. The ut was afterwards changed to the more open syllable do. Not till 1600 odd was the seventh name added in Europe by a French- man, Lemaire, who called it si. We thus find that the Chinese had the complete names for the diatonic scale 600 years before it was completed in Europe, and that China had its sol-fa system over 800 years before Curwen (about 1840) started his sol-fa system, This notation, whether Chinese or foreign, when thoroughly learned first and afterwards applied to the stave- -then called solfeggio, and the key-note always being do -makes the most expert readers at sight of any musical system. We strongly advise, in teaching theChinese, that either Ourwen's sol-fa or the Chinese JC >R be first used in teaching them to sing.
What to read after Paper On Chinese Music?
You can find similar books in the "Read Also" column, or choose other free books by Mary Martin Richard to read online
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