Personality in German Literature Before Luther

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He grasps life in its totality, because in himself life pulsates fully. He has an eye and an ear for the highest and the lowest, for the most delicate and ^ £rk und Boehme, loc, cU., i, 566.
Digitized by VjOOQ IC lOO GERMAN LITERATURE the grossest of the outer world, because the con- trasts of existence dash in his own innermost soul.
It is not a mere coincidence that many of the most lustrous figures of popular song belong to the same time which, in the paintings of a Jan van Eyck or a Rogier
...van der Weyden, has left us portraits of individuals of such a depth of expression, such a firmness of character, such a complexity of will and intellect as hardly any other time has produced.
Both painting and folksong of the fifteenth cen- tury prove to us that it was the concentration of the inner self which enabled the men of that time to assimilate the world and to reproduce it in art.
K the folksong of the end of the Middle Ages is a popular successor to chivalric Minnesong, we i&ay see a popular successor to the chivalric epic in the satirical narrative from the thirteenth to the sixteenth centuries.


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