Perspective; the Practice & Theory F Perspective As Applied to Pictures, With a Section Dealing With Its Application to Architecture

Cover Perspective; the Practice & Theory F Perspective As Applied to Pictures, With a Section Dealing With Its Application to Architecture
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Sun Behind the Painter It is evident that the sun being unseen behind us, we can no longer draw rays from it — as in the last example — to obtain s '■'•■ 3 4 '■.
DRAW ARCHES; SUN;ANE> VP,AS BEFORE.. JOIN 1,2,3,4 with'Vp.'^oin 5,6,J t 6 vviTH "SUN". THE SHADOW OF THE COLUMN IS FoyNB WHERE. 2.
CUTS 6, ANI>T CUTS £" BT=. DROP A TOB^OIN 03 ToWaNB A TO 'SUh" r«e apex ofthearck cowes where A curs 3 pseujro:' "SUM" Sj Fig. 312.— Application of Fig. 313.
192 PERSPECTIVE OF SHADOWS the lengLh of the sha
...dows. To get ovei the difficulty we suppose the sun to be at the other end of a ray just so far below the hoiizon as the sun itself is above it.
(A) Shadow from a vertical object cast on level ground.
Subject. — A wall rather to one side, facing us, and lit by the sun so that we see its shadow on the ground behind it.
Practice for Fig. 313. — Copy (Fig. 312) the direction of one side of the receding shadow (1-2) and continue it till it meets the horizon.
Ny SUN ; line a ;•?!


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