Pianoforte And Chamber Music volume 7

Cover Pianoforte And Chamber Music volume 7
Pianoforte And Chamber Music volume 7
Leland Hall
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Moreover, against the background of his effects 303 PIANOFORTE MUSIC of the arm, they take on a new light, no matter how often they had a share in the works of other com- posers.
It can hardly be denied, furthermore, that this new light which they seem to give his music, by which it appears so different from that of Schumann and even more from that of Chopin, is also due to the use to which he puts them. With Liszt these things are indis- putably used wholly as effects. Liszt follows Thalberg,
...or represents a further development of the idea of pianoforte music which Thalberg represents. He deals with effects, with, as we have said elsewhere of Thal- berg, masses of sound. Very few of his compositions for the pianoforte offer a considerable exception, and with these we shall have to do presently. The great mass of etudes, concert or salon pieces, and transcriptions, those works in which he displays this technique, are virtuoso music. He shows himself in them a sensa- tionalist composer.

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