Pictorial Composition in Photography

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I The strength of masses depends upon their own inherent qualities rather than upon their size, and they gain in strength and effectiveness by being very simple and by forming a simple, yet pleasing, design. ) [63] PICTORIAL COMPOSITION To describe the pattern or decorative aspect created by the disposition of the masses of a picture, Arthur Dow suggests the word "Notan, " which is a term used by the Japanese to signify an arrangement of light and dark. In his book, Composition, Mr. Dow writes:... "To attain an appreciation of Notan, and the power to create it, the following fundamental fact must be understood, namely, that a placing together of masses of light and dark, synthetically related, conveys to the eye an impression of beauty en- tirely independent of meaning. For example, squares of dark porphyry against squares of light marble, checks in printed cloth, and the blotty ink sketches by the Venetians, the Dutch and the Japanese. When this occurs accidentally in na- ture, as in the case of a grove of dark trees against a light hillside, or a pile of dark buildings against a twilight sky, we at once perceive its beauty, and say that the scene is 'picturesque.

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