Picture Values From An Artists Viewpoint
Picture Values From An Artists Viewpoint
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In our eReader you can find the full English version of the book. Read Picture Values From An Artists Viewpoint Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Picture Values From An Artists Viewpoint
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Every person who has played with amateur photography knows how much is lost in great perspectives. The reasons are stereoscopic and need not concern us here, but the fact remains that a photographic picture of great distances, howsoever awe- inspiring or distinct it may actually appear to the camera- man, is almost impossible of representation on the silver sheet. For this reason, deep-sea stuff is very difficult to film. A story writer can carry one in imagination into the illimitable terrors ...of the sea, giving one a thrill of expect- ancy in catching a first sight of a pirate ship on the hori- zon ; whereas, on the screen, the distant ship will appear "dinky, " static and disappointing. Storm stuff presents similar inhibitions. If the storm is real, the light will not be strong enough to shoot the picture. Thus it is that sea stuff is usually confined to intimate scenes on shipboard. / The golf links offer another difficult location, for here again the distances are too great to become either pic- torially or dramatically interesting.
What to read after Picture Values From An Artists Viewpoint?
You can find similar books in the "Read Also" column, or choose other free books by Rob Wagner to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Every person who has played with amateur photography knows how much is lost in great perspectives. The reasons are stereoscopic and need not concern us here, but the fact remains that a photographic picture of great distances, howsoever awe- inspiring or distinct it may actually appear to the camera- man, is almost impossible of representation on the silver sheet. For this reason, deep-sea stuff is very difficult to film. A story writer can carry one in imagination into the illimitable terrors ...of the sea, giving one a thrill of expect- ancy in catching a first sight of a pirate ship on the hori- zon ; whereas, on the screen, the distant ship will appear "dinky, " static and disappointing. Storm stuff presents similar inhibitions. If the storm is real, the light will not be strong enough to shoot the picture. Thus it is that sea stuff is usually confined to intimate scenes on shipboard. / The golf links offer another difficult location, for here again the distances are too great to become either pic- torially or dramatically interesting.
What to read after Picture Values From An Artists Viewpoint?
You can find similar books in the "Read Also" column, or choose other free books by Rob Wagner to read onlineMoreLess
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