Play Production in America
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In our eReader you can find the full English version of the book. Read Play Production in America Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Play Production in America
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To quickly assess the difficulty of the text, read a short excerpt:
CHAPTER XXX GENERAL MANAGERS THE number of workers employed in a theater is deter- mined mainly by one or another or all of three consid- erations : finances, size of the institution, and nature of production. Members of the personnel tend to specialize only when all other things are in due proportion.
Repertoire naturally requires more services than the single " long run " production with a company of exactly the same number of players, and the opera reasonably calls for a longer salary list t...han the " intimate " theater. There- fore, it is rare indeed to find members of a theater staff each of whom specializes in just one department. This is gener- ally excepting those who are governed by union or asso- ciation rules.
Producers are frequently their own general managers and stage directors, as Arthur Hopkins, producer of " The Poor Little Rich Girl" and other plays; general managers are often press representatives, too, as Edwin A. Weil, nephew of A. R. Cazauran, was for H. H. Frazee prior to his own embarkation as a producer, and as James Shesgreen was for Margaret Anglin; or a press representative may be playreader in addition, as Samuel Hoffenstein, quondam dramatic editor of the New York Evening Sun, became for A.
What to read after Play Production in America?
You can find similar books in the "Read Also" column, or choose other free books by Arthur Edwin Krows to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
CHAPTER XXX GENERAL MANAGERS THE number of workers employed in a theater is deter- mined mainly by one or another or all of three consid- erations : finances, size of the institution, and nature of production. Members of the personnel tend to specialize only when all other things are in due proportion.
Repertoire naturally requires more services than the single " long run " production with a company of exactly the same number of players, and the opera reasonably calls for a longer salary list t...han the " intimate " theater. There- fore, it is rare indeed to find members of a theater staff each of whom specializes in just one department. This is gener- ally excepting those who are governed by union or asso- ciation rules.
Producers are frequently their own general managers and stage directors, as Arthur Hopkins, producer of " The Poor Little Rich Girl" and other plays; general managers are often press representatives, too, as Edwin A. Weil, nephew of A. R. Cazauran, was for H. H. Frazee prior to his own embarkation as a producer, and as James Shesgreen was for Margaret Anglin; or a press representative may be playreader in addition, as Samuel Hoffenstein, quondam dramatic editor of the New York Evening Sun, became for A.
What to read after Play Production in America?
You can find similar books in the "Read Also" column, or choose other free books by Arthur Edwin Krows to read onlineMoreLess
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