Plays And Players in Modern Italy, Being a Study of the Italian Stage As Affected By the Political And Social Life, Manners, And Character of To-Day

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Neri. No, No!
Gian. If you are not yet a madman, go And look on him.
Neri. No, no ! \He moves towards the room.
Gian. Go, only go!
And after, keep your reason if you can !
[Exit Neri. Enter Fazio.
Faz. Fly I 'Tis high time ! Oh, good, my master, fly !
Dost hear !
Gian. I cannot, I am chained to evil.
{Neri is heard in the room gibbering.) Oh ! Mother Nature, if I cannot weep The harm I do, can I not weep with pain Not even to feel it ?
See, he comes ! How now ?
Will he kill me ? He will kiU me
...not — he cannot.
Neri. {passes across the stage with Gabriello's mantle over his arm). Lisbeth, my pretty one ! My dear revenge !
Where are you ? I am seeking you — where are you ?
If I had any hope of having conveyed to the reader the terse intensity of the original, I would spare him any ITALIAN PLAYS AND PLAYWRIGHTS 163 comments of my own. But as things are, we cannot do without a few reflections on what the play has done for dramatic art. To begin with : it is the one play I know, ovitside the English theatre, that has made blank verse a medium for conversation.


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