Plot And Counterplot Or the Portrait of Michael Cervantes a Farce in Two Act

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] Now I may make my escape, and rejoin Fabio. [Exit at the door from rchich Don Gaspard entered.
Gasp. The figure of the other young man seemed much more like my son's.
Hem. [Turning, as he thinks, to Leon. ] Eh! Why what's become of him : Juana. You commanded him to leave your house, sir, and he obeyed.
Jet IT. PLOT AND COUNTERPLOT. 31 Hern. [Turning, as he thinks, to Fernando. ] Then, sir, let me tell you — J nana. Now to set Don Leon at liberty.
[Exit Juana dozen the private stairs.
Hern. Th
...e other gone too ! Juana, you imp of Beelzebub 1 [Turning, as he thinks, to Juana.
Gasp. It was Leon that I saw. I'll send my fellows after the spark this moment. [Exit Don Gaspard at the door from zchich he entered.
Hem. Juana vanished too ! What does all this mean ! I'll tell you what, Don Gaspard — [Turning, as he th'mks, to Don Gaspard. ] why, there is not a reasonable being in the house ! Fernando, Lorenza, Leon, Juana; they are all in a conspiracy to plague rne — However, I will this instant follow Don Gaspard; but, hold — I'll take my daughter with me, for I suspect some foul play, and if I don't get to the bottom of it, I shall run mad.


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