Poetic Justice in the Drama; the History of An Ethical Principle in Literary Criticism
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In our eReader you can find the full English version of the book. Read Poetic Justice in the Drama; the History of An Ethical Principle in Literary Criticism Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Poetic Justice in the Drama; the History of An Ethical Principle in Literary Criticism
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It would require that the satisfaction be complete and full, e're the Malefactor goes off the Stage and nothing left to * Ibid., p. 23. "Rymer's elaborate directions for removing the Romantic offence of this play, and adjusting it to classical correctness and decorum are among the most involuntary funny things in Criticism." Saintsbury, in A History of Criticism, II., p. 394.
[156] "TkAGEDlieS OF THE LAST AgE" God Almighty, and another world. Nor will it suffer that the Spectators trust the Poe...t for a Hell behind the scenes ; the fire must roar in the conscience of the Criminal, the fiends and furies be conjured up to their faces, with a world of machine and horrid spectacles; and yet the Criminal could never move pitty. Therefore amongst the Ancients we find no Malefactors of this kind; a wilful Murderer is with them as strange and unknown, as a Parricide to the old Roman. Yet need we not fancy that they were squeamish, or unacquainted with any of these great lumping crimes of that age; when we remember their Oedipus, Orestes, or Medea.
What to read after Poetic Justice in the Drama; the History of An Ethical Principle in Literary Criticism?
You can find similar books in the "Read Also" column, or choose other free books by Michael a Quinlan to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
It would require that the satisfaction be complete and full, e're the Malefactor goes off the Stage and nothing left to * Ibid., p. 23. "Rymer's elaborate directions for removing the Romantic offence of this play, and adjusting it to classical correctness and decorum are among the most involuntary funny things in Criticism." Saintsbury, in A History of Criticism, II., p. 394.
[156] "TkAGEDlieS OF THE LAST AgE" God Almighty, and another world. Nor will it suffer that the Spectators trust the Poe...t for a Hell behind the scenes ; the fire must roar in the conscience of the Criminal, the fiends and furies be conjured up to their faces, with a world of machine and horrid spectacles; and yet the Criminal could never move pitty. Therefore amongst the Ancients we find no Malefactors of this kind; a wilful Murderer is with them as strange and unknown, as a Parricide to the old Roman. Yet need we not fancy that they were squeamish, or unacquainted with any of these great lumping crimes of that age; when we remember their Oedipus, Orestes, or Medea.
What to read after Poetic Justice in the Drama; the History of An Ethical Principle in Literary Criticism?
You can find similar books in the "Read Also" column, or choose other free books by Michael a Quinlan to read onlineMoreLess
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