Pompeii And Herculaneum the Buried Cities of Campania Their History Their De
Pompeii And Herculaneum the Buried Cities of Campania Their History Their De
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In our eReader you can find the full English version of the book. Read Pompeii And Herculaneum the Buried Cities of Campania Their History Their De Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Pompeii And Herculaneum the Buried Cities of Campania Their History Their De
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But if no dispassionate observer can recog- nize Cicero, the bas-relief is nevertheless of high interest in its details. You see the victim — an ox — led forward by the popa, or person whose office was to slay it. He bears in his hand the sacrificial axe {inalleiis\ and is stripped naked to his waist. At the altar stands the chief priest, or perhaps magistrate, his brow bound with a triumphal wreath, and his robes partly drawn over his head. In his hand he holds a patera^ with which to lustrate... and sprinkle the victim. Behind him, carrying a vase and another patera, stands a youthful acolyte, with the sacred vitta^ or fillet, hanging from his neck. Near him is a figure also holding a patera, which, apparently, is heaped with cakes. A musician lustily sounds a tibia or double flute, and in the rear gather the Uctors with their fasces. The temple is represented in the background, adorned with garlands and fes- toons.
On the opposite side of the altar, young olive-trees are sculptured, and between them a crow^n of oak leaves, bound with the sacred vitta ; on the other two sides, you may trace the various implements and ornaments of sacrifice, as the vase, the patera, the vitta, the censor, garlands, a ladle, and a spiral instrument, which mayhap belonged to the haruspex, who examined the entrails of the victims, and from their appearance divined the future.
What to read after Pompeii And Herculaneum the Buried Cities of Campania Their History Their De?
You can find similar books in the "Read Also" column, or choose other free books by W H Davenport William Henry Davenport Adams to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
But if no dispassionate observer can recog- nize Cicero, the bas-relief is nevertheless of high interest in its details. You see the victim — an ox — led forward by the popa, or person whose office was to slay it. He bears in his hand the sacrificial axe {inalleiis\ and is stripped naked to his waist. At the altar stands the chief priest, or perhaps magistrate, his brow bound with a triumphal wreath, and his robes partly drawn over his head. In his hand he holds a patera^ with which to lustrate... and sprinkle the victim. Behind him, carrying a vase and another patera, stands a youthful acolyte, with the sacred vitta^ or fillet, hanging from his neck. Near him is a figure also holding a patera, which, apparently, is heaped with cakes. A musician lustily sounds a tibia or double flute, and in the rear gather the Uctors with their fasces. The temple is represented in the background, adorned with garlands and fes- toons.
On the opposite side of the altar, young olive-trees are sculptured, and between them a crow^n of oak leaves, bound with the sacred vitta ; on the other two sides, you may trace the various implements and ornaments of sacrifice, as the vase, the patera, the vitta, the censor, garlands, a ladle, and a spiral instrument, which mayhap belonged to the haruspex, who examined the entrails of the victims, and from their appearance divined the future.
What to read after Pompeii And Herculaneum the Buried Cities of Campania Their History Their De?
You can find similar books in the "Read Also" column, or choose other free books by W H Davenport William Henry Davenport Adams to read onlineMoreLess
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