Popular Art : the Films of George Roy Hill

Cover Popular Art : the Films of George Roy Hill
Popular Art : the Films of George Roy Hill
Shores, Edward Francis
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Our attention is focused on the black-gloved man who, with his stylized dress and Italian features, seems a more conventional threat. Such judgment causes a re- versal of expectations in the alley gunfight that, while in one way a source of pleasure, serves as an implicit re- minder of the inadequacy of stock responses. The "death" scene is even more of a surprise because once again the au- dience accepts conventions so unhesitatingly. The deaths of Cole and Sallino are filmed in the traditiona...l Hollywood stylized manner, with bright red aniline dye and no exces- sive gore. The final scene is shot in exactly the same way.
and we assume the characters are dead. When they pop back to life, we cheer, because the surprise makes the Mick's loss more complete. But the reversal of expectations, for- gotten in the triumph, is equally important. By playing with accepted conventions, conventions that the film it- self uses in earlier scenes. Hill calls attention to the artificiality of the surface, pointing out that anything can be manipulated for effect.


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