Portrait of a Contemporary Composer Oral History Transcript 2000
Portrait of a Contemporary Composer Oral History Transcript 2000
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In our eReader you can find the full English version of the book. Read Portrait of a Contemporary Composer Oral History Transcript 2000 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Portrait of a Contemporary Composer Oral History Transcript 2000
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So I m taking a little breather at this moment.
139 I ve been composing quite constantly and steadily through the last several years and I feel it s kind of nice to relax for a while, but I know that very soon I ll be getting very antsy if I don t get back to composing again. Funny thing about being a composer is that you never feel rested because if you relax for a moment and you don t compose, then you begin to feel guilty because you re not composing. It s one of these--! don t know what you... call it. What is the word that you use in such circumstances- -it s something that you have to do.
Crawford: It s a compulsion.
Imbrie: Compulsion. It s a compulsion. Yes, you have to do it.
Crawford: Are you at ease simply working on it in your mind?
Imbrie: Well, I used be a pianist once upon a time [laughter] and as I ve said, I enjoy punching the keys and making noise. That stimulates me and I tend to do my work at the piano. Other people can t see it that way. I know that Roger Sessions could never understand that because although he played the piano quite well, he was not really a pianist.
What to read after Portrait of a Contemporary Composer Oral History Transcript 2000?
You can find similar books in the "Read Also" column, or choose other free books by Andrew Imbrie to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
So I m taking a little breather at this moment.
139 I ve been composing quite constantly and steadily through the last several years and I feel it s kind of nice to relax for a while, but I know that very soon I ll be getting very antsy if I don t get back to composing again. Funny thing about being a composer is that you never feel rested because if you relax for a moment and you don t compose, then you begin to feel guilty because you re not composing. It s one of these--! don t know what you... call it. What is the word that you use in such circumstances- -it s something that you have to do.
Crawford: It s a compulsion.
Imbrie: Compulsion. It s a compulsion. Yes, you have to do it.
Crawford: Are you at ease simply working on it in your mind?
Imbrie: Well, I used be a pianist once upon a time [laughter] and as I ve said, I enjoy punching the keys and making noise. That stimulates me and I tend to do my work at the piano. Other people can t see it that way. I know that Roger Sessions could never understand that because although he played the piano quite well, he was not really a pianist.
What to read after Portrait of a Contemporary Composer Oral History Transcript 2000?
You can find similar books in the "Read Also" column, or choose other free books by Andrew Imbrie to read onlineMoreLess
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