Portraits And Silhouettes of Musicians
Portraits And Silhouettes of Musicians
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In our eReader you can find the full English version of the book. Read Portraits And Silhouettes of Musicians Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Portraits And Silhouettes of Musicians
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He may trans- port his dramas from the French to the Italian, and change prose into verse, turning the tragic into the comic, adding or subtracting from the rôle, according to the will of the director. . . .
"He may lend to his piece, as accessories, prisons, poignards, poisons, letters, bear-hunts, bull-fights, earthquakes, arrows, sacrifices, etc., in order that the public may be well stirred up by such novel spectacles. ..." Passing from the poet to the composer, Mar* cello treats them no le...ss severely : — " The modern maestro should cut short the sense of the words, especially in the great airs, letting the artist separate any one verse from its fellows, — though in itself alone it may have no meaning, —and immediately after it intro- Marcello. 115 ducing a long flourish for violins or violas. . . .
He shall accelerate or retard the movement of an air, according to the caprice of the singers, and shall hide the dissatisfaction which their insolence causes him by telling them that his reputation, his credit, and his interests are in their hands, and that therefore he must alter, without demur, airs^ recitatives, sharps, flats, or naturals.
What to read after Portraits And Silhouettes of Musicians?
You can find similar books in the "Read Also" column, or choose other free books by Bellaigue, Camille, 1858-1930 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
He may trans- port his dramas from the French to the Italian, and change prose into verse, turning the tragic into the comic, adding or subtracting from the rôle, according to the will of the director. . . .
"He may lend to his piece, as accessories, prisons, poignards, poisons, letters, bear-hunts, bull-fights, earthquakes, arrows, sacrifices, etc., in order that the public may be well stirred up by such novel spectacles. ..." Passing from the poet to the composer, Mar* cello treats them no le...ss severely : — " The modern maestro should cut short the sense of the words, especially in the great airs, letting the artist separate any one verse from its fellows, — though in itself alone it may have no meaning, —and immediately after it intro- Marcello. 115 ducing a long flourish for violins or violas. . . .
He shall accelerate or retard the movement of an air, according to the caprice of the singers, and shall hide the dissatisfaction which their insolence causes him by telling them that his reputation, his credit, and his interests are in their hands, and that therefore he must alter, without demur, airs^ recitatives, sharps, flats, or naturals.
What to read after Portraits And Silhouettes of Musicians?
You can find similar books in the "Read Also" column, or choose other free books by Bellaigue, Camille, 1858-1930 to read onlineMoreLess
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